Dialogues about sound

Working with microphones in theatrical productions is a technically complex task that requires a variety of knowledge and skills. Features of microphones of different systems and brands, the principles of radio frequency management, work with highly specialized software, the location of microphones and transmitters on the body of the artist, communication between the technical departments, cleaning and storage of microphones - these and many other aspects of the theatrical microphone operator will be disclosed in this topic.

• Preparation (technical; musical; artistic; playback)
• Defining one's role and assigning responsibilities
• Installation/Dismantling (consistency; speed; equipment selection; microphones; monitoring; radio systems; consoles; processing)
• Concert (sound check; show; PA)
• Product (mix from console; multi-track; ambience)

Demonstration of how a real pro can mix a track under time constraints

• Working with reverb,
• Equipment selection,
• Professional Development,
• Sound in inners and much more

• Five Daredevils,
• Ten minutes of time,
• A zeroed in remote,
• Your talent, skills and experience in mixing a track quickly,
• Unbiased voting by the audience for the best contestant.

A brief plan of actions when there is no more than 15 minutes for soundcheck

• Peculiarities of sound reproduction at different venues
• Requirements for different acoustic systems
• Sources of distortion generation
• Limit operating modes of drivers and loudspeakers
• Acoustic measurement techniques

• Using Dante, madi, and Aes protocols in combination with analog instruments
• Mix's conceptuality and session organization in Dlive
• The structure of the mix
• How to create your signature style in sound

• Subwoofer configurations
• Why so many subwoofers?
• Approach to choosing a PA system
• System design at the concert of Skriptonit in Adrenalin Stadium